At the start of our classroom discussion of "Barn Burning," we can explain the tenets of the Fugitives, their traditional, aristocratic attitudes, and their reverence for the landed gentry life style. We now can lead our students to the evidence of these social injustices within the story by identifying exemplary moments and scenes.
Here in "Barn Burning" the small, impoverished and illiterate ten-year-old boy, ill nourished on cold food and dressed in clean but faded, patched jeans, has experienced home as a succession of identical "unpainted two room houses, "tenant farmer hovels, for the Snopeses have moved a dozen times through poor country.
At this moment young Colonel Sartoris Snopes whose very names pit the aristocratic, land-owning rich against the tenant farmer poor is ushered into the reality of class differences, that being the cleavage within the local community.
In the decades after the Civil War, known as the Reconstruction Era, the euphoria that followed the liberation of slaves led to a more somber viewpoint.
But the old, neatly dressed black servant in his linen jacket bars the door with his body and commands the father, who has deliberately put his foot down in a pile of fresh horse droppings, to "wipe ya foot, white man.
For the first time, Sartoris has glimpsed a peaceful future. These historic facts can lead to a clearer understanding of why Abner Snopes acts as he does here. At this time the Old South was withering away from its own decadence and sin; the old agricultural society was turning into a deathlike desert; the New Deal programs seemed unable to bring Mississippi back from the brink; the state seemed to self-destruct and turn backward socially.
He has coped, survived, and endured unmerited sufferings on his own tenacious terms. We now can lead our students to the evidence of these social injustices within the story by identifying exemplary moments and scenes.
Poor whites, too, can be "owned" as blacks were. It is people as chattel which Abner Snopes reviles even though his very methods dehumanize him.
Sarty experiences the interior of the house as a swirl of glittering chandeliers, gleaming gold frames, and curving carpeted stairs. The family seems to exist outside of society and even outside the law, and their moral code is based on family loyalty rather than traditional notions of right or wrong.
Sartoris is enamored with the grounds and the imposing house, and the domestic bliss that seems to emanate from the estate gives Sartoris a temporary comfort.
Furthermore, the relentless defiance by the underclass extracts an even greater human cost. The blood, dried and caked on his face during the ride out of town, is, in a way, a mark of pride: He began writing mostly poetry, and in he published a collection of poetry entitled The Marble Faun.
During this time, Faulkner also supported himself and his family by writing screenplays for Hollywood. The Search for Peace Surrounded by violence and conflict, Sartoris is constantly overwhelmed by fear, grief, and despair, and he knows that he must search for peace if he ever wants to be free from these tumultuous emotions.
His image of Mrs. In his rendition of the Sartoris-like agrarian society, Faulkner acknowledges its dichotomy: These families with their opposing social values spurred his imagination at a time when he wrote about the passing of a conservative, agricultural South and the opening up of the South to a new era of modernization.
Yet conversely the cluster of words like "ruthless," "bloodless," "stiff," "cut from tin," and "ironlike" surrounding Abner Snopes suggests the metallic, inhuman, mechanical identity Faulkner also recognizes in Snopes. His image of Mrs.
Clearly in this tale of initiation, one of moral choices and their consequences, Faulkner recreates Southern class differences and racial distinctions at the close of the decade of the s. The situation and system dehumanize the individual in ways that Abner Snopes graphically exemplifies.
Foremost as such an example of social injustice is the encounter at the doorway of the de Spain mansion between the Snopes father and son and the de Spain black house servant.
Perhaps the happiness he seeks does exist for him in the future, as he leaves his family and old life behind without looking back.
Henry Memorial Award for the best short story of the year. Foremost as such an example of social injustice is the encounter at the doorway of the de Spain mansion between the Snopes father and son and the de Spain black house servant.
He rejects family loyalty and instead betrays his father, warning de Spain that his barn is about to be burned. In his rendition of the Sartoris-like agrarian society, Faulkner acknowledges its dichotomy: For example, when the Snopeses are leaving the makeshift courthouse at the beginning of the story, a local boy accuses Snopes of being a barn burner, and, when Sartoris whirls around to confront him, the boy hits Sartoris and bloodies his face.
Blood in a literal sense appears as well, underscoring the intensity of the ties among family.“Barn Burning” can be understood as a prequel of sorts to Faulkner’s Snopes family trilogy, which explores the lives of a number of members of the same family as they struggle to ascend the social hierarchy—through any means necessary.
“Barn Burning” is Faulkner’s classic short story. It focuses on Colonel Sartoris Snopes’ dilemma, which is the struggle between being loyal to his father, Abner Snopes, or to morality and justice.
Colonel Sartoris Snopes is an innocent ten-year-old. The Barn In the expansive Texas Panhandle, Piehl Barn sits as a standout venue for social events and weddings near the small community.
We see several different economic classes in "Barn Burning." The extremely poor class of tenant farmers to which Sarty, our ten-year-old protagonist, and his family belong presents a stark contrast to the privileged class of their wealthy landlord, Major de Spain. Read The Southern Social Themes of Barn Burning free essay and over 88, other research documents.
The Southern Social Themes of Barn Burning. Written as it was, at the ebb of the s, a decade of social, economic, and cultural tumult, the decade /5(1). The Southern Social Themes of Barn Burning Essay examples - Written as it was, at the ebb of the s, a decade of social, economic, and cultural tumult, the decade of the Great Depression, William Faulkner's short story "Barn Burning" may be read and discussed in our classrooms as just that--a story of the '30s, for "Barn Burning" offers.Download