By the end, the narrator is hopelessly insane, convinced that there are many creeping women around and that she herself has come out of the wallpaper—that she herself is the trapped woman.
The narrator sees her shaking the bars at night and creeping around during the day, when the woman is able to escape briefly. Yet, the creative impulse is so strong that she assumes the risk of secretly writing in a diary, which she hides from her husband.
At her worst, she was reduced to crawling into closets and under beds, clutching a rag doll. As the Fourth of July passes, the narrator reports that her family has just visited, leaving her more tired than ever. She contrasts his practical, rationalistic manner with her own imaginative, sensitive ways.
The narrator mentions that she, too, creeps around at times. As her obsession grows, the sub-pattern of the wallpaper becomes clearer. Especially in the case of his female patients, Mitchell believed that depression was brought on by too much mental activity and not enough attention to domestic affairs.
Whenever the narrator tries to discuss leaving the house, John makes light of her concerns, effectively silencing her. She creeps endlessly around the room, smudging the wallpaper as she goes. Leaving behind her husband and child, a scandalous decision, Charlotte Perkins Stetson she took the name Gilman after a second marriage, to her cousin embarked on a successful career as a journalist, lecturer, and publisher.
Prevented from working, she soon had a nervous breakdown. She also thinks back to her childhood, when she was able to work herself into a terror by imagining things in the dark. Weir Mitchell, the leading authority on this illness. It was also adapted to film in a made-for-television production by the British Broadcasting Corporation.
She mentions that she enjoys picturing people on the walkways around the house and that John always discourages such fantasies. As the first few weeks of the summer pass, the narrator becomes good at hiding her journal, and thus hiding her true thoughts from John.Charlotte Perkins Gilman's story "The Yellow Wall-paper" was written during a time of great change.
In the early- to mid-nineteenth century, "domestic ideology" positioned American middle class women as the spiritual and moral leaders of their home. This analysis of The Yellow Wallpaper by Charlotte Perkins Gilman () highlights a long short story (or short novella) considered a feminist classic.
Though the color of Mrs. Dickinson's wallpaper went unrecorded, the anecdote forms a striking parallel to Charlotte Perkins Gilman's ''The Yellow Wallpaper,'' first published in but, like Emily Dickinson's work, under-appreciated until decades after her death.
Literary Analysis "The Yellow Wallpaper" Words 3 Pages In Charlotte Perkins Gilman's “The Yellow Wallpaper” we are introduced to a woman who enjoys writing.
The Yellow Wallpaper study guide contains a biography of Charlotte Perkins Gilman, literature essays, a complete e-text, quiz questions, major themes, characters, and a full summary and analysis.
The narrator is alone most of the time and says that she has become almost fond of the wallpaper and that attempting to figure out its pattern has become her primary entertainment.
As her obsession grows, the sub-pattern of the wallpaper becomes clearer.Download